I saw a thing yesterday that said “Buying fabric and sewing fabric are TWO SEPARATE HOBBIES.”

I actually feel that I understand so much more about the world now.

I’m now up to 6 artist’s figurines (I need to write more reviews) and I was unable (or unwilling) to resist a set of 14 archival color pens, plus all the stuff I already own, but do I actually draw? No, hardly ever. (That said, I’ve done more this year than in many years.)

Anyway, point is I’m back to that “I want to draw some silly little story like Questionable Content only about, IDK, fat 40somethings instead of hipster robots” thing. Except I really don’t want to draw a story about fat 40somethings because ugh life. I want to do something cute and funny that I don’t have the skill set for but who cares I’ll do it anyway because it doesn’t matter. Or something. And I want just enough pressure to help me do maybe half an hour of art a day without having any real expectations.

Which of course is not much like my personality at all, because yes, I have met me. :p

Moop.

Having cried all over the WRINKLE IN TIME trailer, I thought I’d better re-read the book immediately to get a proper feeling for it again. It’d been at least twenty, possibly thirty, years since I’d read it, and…

…it’s kind of equally weirder and more mundane than I remember it.

I was prepared for, although somewhat exasperated by regardless, the Christian allusions; whenever I last re-read L’Engle, I was adult enough to notice her books are really laced with Christianity, so I knew that was going to be there. The story itself is actually a lot more straight-forward than I remember it being; possibly I’ve conflated the other books with it, or maybe it’s just that the weird bits are SO STRANGE that I thought the story structure had to be a lot more complicated than it really is.

It’s not, from a modern storytelling perspective, especially well told. It takes about four chapters to really get going, and it’s only a 12 chapter book. There’s a lot of telling, but not much in the way of showing in terms of…*why*. Meg is not, to the adult modern reader, particularly sympathetic: she doesn’t fit in at school, she’s angry in general and specifically very defensive about her father’s absence, and is apparently some particular kind of dumb that excludes being spectacularly good at math. That dumbness may be meant to indicate she’s socially inept, but although that certainly appears to be true, it doesn’t seem to be what’s really going on.

But that…dumbness…whatever it is…is crucial through the whole book. Meg doesn’t tesseract as well as the others. Meg is more vulnerable to the Darkness than the others. Meg won’t understand if you explain the thing…but I never understood why. (I’m not sure I understood as a kid, either, but it didn’t matter as much to me then.) And it’s apparently not something that came on simply because Mr Murry disappeared, because even he comments on it, and had done so before his disappearance, so you can’t lay her anger/ineptitude at the feet of her father’s disappearance.

And, just as much as Meg’s lack is not explained, neither are Calvin and Charles Wallace’s aptitude. Calvin communicates well; well, okay, that’s fine, but why does it make it easier for him to tesseract? Charles Wallace is, as far as I can tell, not even actually human, and Calvin, who does not come from the Murry family at all, is apparently More Like Charles than Meg is. But I don’t know what they are, or why they are, or why they’re the special ones and our heroine isn’t (well, that last one is institutionalized sexism, but let’s move past that). I remember *loving* Charles Wallace (and crushing terribly on Calvin), but I find him fairly creepy now, and that’s as the parent of an extremely self-assured little kid who, like Charles Wallace, is quite certain he’s able to Do It His Way without listening to the wisdom, or at least the experience, of his elders.

The one thing that maybe felt the most true to me in the whole book was Meg coming around to being the one who can save Charles Wallace. She wanted someone else–her father, specifically, but ANYBODY ELSE–to have to do the hard work. She was terrified and resentful of having to do it herself (and possibly that’s what the aforementioned “dumbness” is, since everybody keeps saying If you’d only apply yourself, Meg,, but that still doesn’t explain why she doesn’t tesseract as well, etc), and that seems very appropriate to a 13 year old to me. To people a lot older than 13, too, for that matter. But it comes in the 11th hourchapter, and her willingness to go on there is the only time in the book that she moves forward of her own volition. I’m not saying that isn’t fairly realistic, maybe, for a young teen, but in terms of making a dynamic book, it…doesn’t, really.

There are parts of the book that remain wonderful. The Mrs W are still splendid; Camazotz (which I always read, name-wise, as being what happens when Camelot goes terribly wrong) is still EXTREMELY CREEPY, and the thrumming presence of IT remains startlingly effective. Aunt Beast is wonderful. (So basically: the aliens work a lot better for me than the humans do.)

It doesn’t feel like a book that could get published now. It would need more depth; it felt shallow to me. A lot of its weirdness seems to me like it came very specifically out of the 50s and early 60s; I don’t think that book would, or perhaps *could*, be written now. It’s very internal in a lot of ways, and I’m really looking forward to seeing how the film adapts the weirdness and the internalness and Meg’s basic lack of agency into an accessible story. My *feeling* is that they’re going to do a magnificent job of it, that it’s going to be one of those cases like Frankenstein or Jeckell & Hyde where the book’s conceptual foundation proves more powerful in film than it does on the page. I hope so!

But you know what I really wanted to do when I finished reading A WRINKLE IN TIME? I wanted to re-read Diane Duane’s SO YOU WANT TO BE A WIZARD, because I felt like the Young Wizards books use A WRINKLE IN TIME as a conceptual springboard and dove off into something that worked a lot better as a *story*.

So I guess I know what’s up next (or soon, anyway) on the Catie’s Re-Reads list. :)

Matthew Dow Smith's 13th Doctor

Carrie Fisher. Robin Wright. Gal Gadot. Daisy Ridley. Melissa McCarthy & Leslie Jones & Kate McKinnon & Kristen Wigg.

Jodie Whittaker.

It shouldn’t matter. It shouldn’t matter, but it goddamn well does.

You know why I chose the women I did, up above? You know why I didn’t include Weaver & Hamilton & Theron on that list?

Because Ripley and Connor and Furiosa were given to us. They were put on the table by filmmakers who said either “it doesn’t matter if this character’s a woman or a man,” or who specifically chose a woman as the vehicle for the main story. Alien & Terminator were always ours. We didn’t have to ask, much less plead and beg, for Ellen Ripley and Sarah Connor. We weren’t looking for Furiosa, and Theron came out of nowhere the same way Weaver & Hamilton did.

But Carrie Fisher? Robin Wright? Yeah, Princess Leia & the Princess Bride were integral to their stories, but Buttercup was a pretty passive observer in her own story and Leia wasn’t there FOR GIRLS. She was there as the token female. The fact that she had an important role & agency is almost beside the point. I read something recently–maybe in Empire Magazine–where someone said something like “If you think about it, Star Wars is really Leia’s story,” and all I could think was WOULDN’T IT HAVE BEEN AMAZING IF IT HAD BEEN FILMED THAT WAY?

So General Antiope? General Organa? I feel like we *fought* for them. Diana? Rey? I feel like they’re from us saying “we want this so much, we deserve this, we hold up half the fucking sky, people.” An all-women Ghostbusters team? We kept saying “oh god please we want this this would be so awesome.” And so now, a female Doctor? It feels like another one we fought for.

And it shouldn’t have to. We shouldn’t have to be pleading for 1/13th of the pie (or less). We shouldn’t have to be THIS HAPPY to get it. And yet I am.

And I’m also SO ANGRY that it takes so little, such a crumb, to make me THIS HAPPY, when it shouldn’t even be a conversation.

And none of that even STARTS to touch on how 8 of the 9 (or 11/12, depending on how you wanna count it) women I’ve talked about are white ladies.

I don’t want white women to be the only ones gaining ground here. I don’t want increments. We don’t NEED increments. The actors are there. Storm Reid proves it. Zendaya proves it. Hannah John-Kamen & Frankie Adams prove it. And I want to see women of color in all these big amazing roles and films too. I don’t want this to just be a moment for white girls and indistinguishable blondes.

I want more, god damn it. I want it all, for all of us. #GirlPower

I’m somewhat better than I’ve been, but I’ve still got a cough and snotty nose. No, I haven’t gone to a doctor, but only because it turns out there’s a shortage of doctors in this town and nobody is taking new patients. We got signed up with a clinic in theory but we still haven’t gotten notification that we’re actually in their system, so…yeah. Anyway. At this point I think I’m going to have healed up before I’m in the system. Whee.

That said, all I want to do today is lie in a lump on the couch and watch Brooklyn Nine Nine all afternoon, but I’d have a 7 year old beside me saying, “What? What?” and fake-laughing at things, which wouldn’t really be much fun.

The Wrinkle in Time trailer dropped yesterday and made me cry. Twice. It looks amazing. (“Mommy,” Indy said incredulously, “are you *crying*?” Yes. Yes I was.) Anyway, I haven’t read the book in at least twenty, possibly thirty, years, and I immediately bought a new copy to read it. I didn’t think it would hold up, honestly, but I’ve read the first chapter and so far it’s still amazing.

I also re-read THE HERO AND THE CROWN a couple days ago and for the first time the acid trip battle with Agsded actually made sense to me. I’ve only read the book about forty times, so it’s nice that I eventually became able to really follow that scene.

Also I don’t remember crying through Talat’s rehabilitation before. *wipes eyes*

I made crabapple jelly with the last of LAST year’s crabapples, some cherry jam, pitted more cherries that Dad brought out, and bought some peaches that I need to process today and see if I’ve got enough for jam. I have frozen strawberries, too, and some many-berry mix frozen berries. Jam, glorious jam. :)

There are TWO kittens in the garden. We’re calling them Topsy and Turvy and are feeding them and their mama. I’m waiting for the local rescue people to have a capture cage available, so hopefully that’ll come through soon.

I turned a grant application in last week. I’ve got a book proposal just about ready to submit. I have copy edits to do and need to email my editor about line edits. And…I’d have to look at my to-do list to see what’s next. That’s plenty to get me through the week, though. :)

Actually, I think–I hope–my head is coming through the other side of being a toxic waste dump, but jeez o flip. I’ve had two back to back colds. I don’t think I was sick when I went to Liverpool, so I guess I’ve been sick since about the Sunday after, which is three weeks today. It feels like longer. Both colds have been entirely in my head with a massive fucking cough that ejects gobs of snot that the constant nose-blowing assaults on my sinuses have not been able to remove preemptively.

I’ve been a lot of fun to be around. I coughed so hard I threw up! I’d never done that before. Cross one off the bucket list, I guess. Anyway, Friday night I conceded to Ted that if this hadn’t taken a significant turn for the better by Monday I should in fact go to a doctor and see if it’s more than just two utterly crappy colds in quick succession, but then Saturday afternoon and night I was able to lie down for sleep without trying to expel my lungs, so I think I may be on the mend.

(She said, ferociously ignoring what feels like a new fresh sore throat as opposed to “oh god my throat hurts from coughing so much”.)

IN OTHER, less gross, news, despite being a one-woman snot-production company, I’ve been working on a proposal for the publisher who’s interested in working with me, binging s1 of Brooklyn Nine Nine (I love the Pontiac Bandit so much), READING (how great is READING, PEOPLE?!!? (although reading Kim Stanley Robinson’s AURORA and James S.A. Corey’s CIBOLA BURNS back to back created some significant cognitive dissonance)), and making fumbling attempts to clean the house.

Oh, and Dad brought over four kilos of cherries, so those got pitted stemmed and frozen, and I need to pursue jam and perhaps cherry pie with them. Mmmm. And let’s see, what else. Ted got an e-reader and we’re culling the print books again, although at this stage we’re pretty close to the bone and are reaching Things That Can’t Be Purchased As E-Books, which means we keep ’em. :)

Yeah, what else, hm. There is a fluffy! bouncy! kitten in our yard (or in its vicinity, anyway), courtesy of some of the feral cats who live in the area. I’d like to try to capture the kitten(s) and see if they’re young enough to be tamed and homed, but it’d obviously be good to capture the adults and get them fixed, too. (*pauses to email the local animal rescue people about this, in fact* There, that’s done.)

And now I’ve taken a remarkably long time to make this blog post and shall rise up and go clean the kitchen, because for some reason it WON’T STAY CLEAN. If only we didn’t need to eat….