I’ve said this before and will no doubt say it again: one of the coolest things about the intarwebs and growing up to be a writer is having become friends with some of my writing heroes. People I wanted to grow up to be, or whose work touched me, or who I admired the holy living bejeezus out of, or I learned from by reading their books, or all of the above. Usually all of the above. One of those people is Judith Tarr. She’s a tremendous writer and a…
Maria’s one of the other Luna alumni who got picked up at the same time I did. She’s done a kind of splendid shooting star rise, reaching the NYT with first book, and going on to take the YA world by storm since then. This book might work better for that audience. There’s nothing particularly wrong with it (except a language thing Maria’s chosen to do in all her books which I understand but find jarring), but I was underwhelmed, which leaves me feeling like probably I just wasn’t a…
So after reading Juliet E McKenna’s quite terrific blog post about women in SF/F, I became curious as to the percentages of books I read by each gender (only because this guy is trying to balance his own gender parity in reading). Since I’ve been keeping an annual reading list since 1998, I could offer up a very thorough look at fifteen years of my reading proclivities. I haven’t got the time right now to do a 15 year retrospective (if somebody else wants to, have at!), but it was…
I just finished reading Carol Berg’s THE DAEMON PRISM (which, like nearly everything Carol writes, is on my list of Favorite Books), and it got me to thinking about what makes epic work and what makes it work on a huge, international bestseller level. Carol’s epic fantasy usually focuses on a handful of people, rather than a cast of thousands, like (for example) GRRM. They’re very different storytelling styles and obviously bring different things to the table, both of which I find appealing in different ways. I wonder if one…
LET IT BLEED is book 3.5 of the WVMP RADIO urban fantasy series by my friend Jeri Smith-Ready, and is what happens when the publisher decides they want four books instead of five and the author turns the salient events of book four into a novella to offer her readers for free so she can wrap up the series in a way she feels is satisfying. This is in every way awesome. And the novella is, in and of itself, fine. My problem is with a decision Jeri’s made for…