A while ago I was muttering about how I wanted somebody I *knew* to have test-run a relatively new distribution opportunity for self-published writers, and one of my friends said, “Er, Catie, you’re the one who does that. You go charging off the cutting edge and we all wait to see how it works out and then follow, having learned from you.” I said “!” because I didn’t know that was a thing I was perceived as doing, but since it apparently is, I’m gonna talk about my experiences with…
My latest question from the peanut gallery was about how I write synopses. Or at least, I think that’s what it was about: the entirety of the question, actually, was, “Synopsis?” :) I’ve talked about writing synopses before at least once, in depth, as part of the Great Plot Synopsis Project (warning: that contains the entirety of the (2 page) synopsis for URBAN SHAMAN, and is therefore spoilery). However, that was written in early 2008, and I have Changed My Process since then. Specifically, in fact, I’ve changed it in…
@kit_flowerstorm on Twitter asks me to discuss how to practice the discipline of writing. This is a question I get a *lot*. I don’t know if all professional writers get it a lot or if I do because I seem to have a particularly impressive output (or if it’s just that, as I actually *noticed* a few weeks ago, I work a lot). There is not a romantic answer to this question. The truth is that when writing is your day job, you sit down and (if necessary) struggle for…
Beth Cato, author of the splendid CLOCKWORK DAGGER books, said she’d love to know more about my outlining process(es) for series. bahahahwoooohahahahahaha ahahaha bahahah hee hee hee *wipes eyes* Okay. No, seriously. *laughs* Seriously, it’s an excellent question/thing for me to think/write about. The truth is I’ve become much more serious about outlining in the past few years, but I haven’t yet taken it to the series level that I’d *like* to. (I should, in fact, be looking very hard at REDEEMER and perhaps MAGIC & MANNERS in those terms…
A fellow writer over on Twitter was asking for example elevator pitches to show to some of her friends as examples, and since I’ve got, oh, eight or seventeen of them that I’ve been using for years, I threw several of them at her. An elevator pitch is what you want to have prepared for when you find yourself in an elevator with the high-powered head editor of your favourite publishing house and she says, “Oh, you’re a writer? What are you working on?” This is not the moment to…