I am told that I should actually post this here daily as well as on Twitter and FB, so I’m doing as I’m told: this is your daily reminder to vote for the #LastDays project! Click here to vote! And while you’re there, how about voting for my friend Swan River Press’s newly submitted project? It’s just a click and it’d do him a lot of good! Vote for Swan River Press too!
Category: CEMurphy
Last Days
Guys, you guys are amazing. The #LastDays project is halfway to catching up with the #1 voted arts project, in like two days. I’m going to have to do something nice for you. A third chapter of MANNERS & MAGIC? https://www.arthurguinnessprojects.com/arts/last-days-of-ancient-sunlight
Last Days of Ancient Sunlight
In the near future, a visionary leader brings Ireland to the forefront of green technology while in Alaska, communities displaced by the rising seas struggle to rebuild without losing their sense of self. Disparate worlds collide when fracked-out gas fields in middle America collapse, finally destabilizing the last of the old-world power regime in The Last Days of Ancient Sunlight. Here begins a few weeks of probably-daily vote hounding, because I’ve applied for a grant which has a first step of reality-show-style popularity contest to it. Arthur Guinness Projects is…
SFFragette
Kari Sperring* introduced the utterly magnifient tag SFFragette over on Twitter a few days ago, as a term to embody the push-back against sexism in SFF. It now has a Facebook page, a Twitter feed, and a blog. These are fantastic places to follow the ongoing discussion. I ottally lack the spoons to link to all the great posts and talks that are happening, so if you’re one of my readers and have any interest in the topic, there’s your source for news. That said, here’s a link I think…
Year of Miracles update
Okay, so for a very long time, YEAR OF MIRACLES, which is the collected stories of the Old Races that I wrote a couple-three-four years ago now, has been sort of malingering because I couldn’t figure out what to do with it. My publisher didn’t want it, and for various reasons other people don’t either. Now, here’s what happened: when I did the ORRSP, I told those patrons who supported both it and the YoM crowdfund that if and when a publisher picked up the book for publication, I would…